FASHION DESIGNS + COLLABS
Costume Designer & Creative Collaborator | SKIP&DIE Cosmic Serpents World Tour
In collaboration with designer Anne van den Boogaard, I co-created three performance outfits for the SKIP&DIE Cosmic Serpents World Tour, exploring the intersection of nature, fashion, and performance art. The designs translated organic textures, natural symbolism, and ritualistic aesthetics into stage costumes that functioned as visual extensions of the band’s musical and narrative universe.
The project examined costume as a performative and storytelling medium, integrating movement, material experimentation, and visual identity into live performance contexts. The collaboration was realised alongside photographer Valentina Vos and hair and make-up artist Charlotte Niketic, forming a multidisciplinary approach to performance styling and artistic direction.
Photography Valentina Vos
Hair & Make Up Charlotte Niketic
CATA.PIRATA
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CATA.PIRATA —
SWEAR by Music + farfetch SKIP&DIE shoes, $310. Farfetch.com.
Footwear Designer & Creative Collaborator | SWEAR x FARFETCH Capsule Collection
Commissioned by cult footwear brand SWEAR as part of an experimental fashion and music collaboration, this project formed part of a limited-edition capsule collection exploring the intersection of music identity, performance aesthetics, and fashion design.
Selected as one of five international music artists invited to design bespoke footwear, I developed an original shoe concept that translated artistic persona and sonic identity into wearable design. The project investigated how music performance aesthetics can be extended into fashion as a form of narrative and brand storytelling.
The collection was released internationally through FARFETCH and SWEAR London, accompanied by a multimedia campaign in which each participating artist wore their custom-designed footwear within music videos for upcoming single releases. This cross-platform approach positioned the footwear not only as a fashion object but as an extension of performance identity and visual music culture.
My design process integrated visual research, performance costume design principles, and audience-facing branding strategies, examining how fashion can function as a performative and communicative medium within contemporary music ecosystems.
The project reflects my ongoing interdisciplinary practice exploring the relationship between sound, visual identity, performance, and commercial creative industries. It demonstrates my interest in translating artistic research into collaborative industry contexts, where design, music, and storytelling operate as interconnected creative systems.